Interview with Francesc Burgos

Study Model for a National Cenotaph
stoneware with terra sigillata

Interview with the Artist, Francesc Burgos

I had the pleasure of gallery-sitting one evening with Francesc and decided to ask him a few questions about his background, his work and his process. Read on to learn more!

Q. How long have you been working in clay?

A. I've been working with clay since 1990 or 91. Prior to that, I was an architect, working for a firm in San Francisco that did mostly residential, single-family houses. We did a few commercial projects - warehouses, malls and shelters. I also taught Spanish at U.C. Berkley, where I earned my graduate degree.

Q. How did you come to clay as a medium - how did you know that was the direction you wanted to go, after your architecture work?

A. It was a visit to the Asian Art Museum - I was simply AWED by the medieval Japanese ceramics on exhibit. I knew I had to be a ceramicist! So, I took classes at Laney Community College. Then I pursued an MFA in ceramics at University of Utah, where I was living at the time.

Q. What was it about that first contact with the ceramic pieces at the Asian Art Museum that drove you?

A. I was drawn to the Japanese medieval clay pieces because of their simplicity. They were unrefined, but very elegant and had a lot of presence. You could see the character of the maker in the piece - I'd never realized how expressive ceramics could be!


Q. Could you tell me a little about your working process - how you come from idea to form?

A. I make lots of sketches. Very often I draw cross-sections of the pieces - to plan structurally how they'll be built. I have to anticipate how firing will affect the clay. I start first with form and make full-scale drawings and sometimes templates.

Q. What are some of the things you think about, as you're making those drawings and planning the forms?

A. I am considering interior spaces, structure and the nature of dwelling.